The folks at Smartpress.com have released the results of a series of interviews and surveys they conducted with over 20 leading photographers.
One interesting example: of the photographers interviewed, Lightroom is by far the most-used software, with over 90% of the respondent’s processing being done within Lightroom.
This video from Photoshelter is centered around online portfolios, but there’s a ton of other useful business info for professional and aspiring professional photographers… might just be the most productive hour you can spend (for free!) in getting straightforward, practical advice from a true industry professional.
The call for entries has gone out for photography submissions to the 9th annual Lone Tree Photographic Art Show and Sale in Colorado. The deadline is March 4th so get your entries in soon! You can download a PDF of the prospectus here or visit the club’s web site at www.lonetreephotoclub.com for more details.
Driving home this afternoon I had the great pleasure to witness some of the most amazing light I’ve ever seen. Though I kicked myself several times for not having my camera with me, this regret was quickly replaced with a feeling of gratitude, and awe. Around every corner, the combination of light and shadow, cool and warm hues, soft, fuzzy areas against extreme detail was nothing less than enchanting. Hillsides covered with rippled, undulating snow blazed both orange in the sunlight and shocking blue in the shade of the open sky. Fingerling icicles, hanging from every pine bough, were backlit by the huge orb of the setting sun. The meandering curve of the road intertwined with snowy tracks made by people, machines and animals alike. And though I took no photographs, this experience reminded me why I practice photography: it’s not an art or a science, a career or a hobby — photography is a way of life, a way of seeing, and a way of being in this world. I’m very thankful for the experience.
Bret Edge and I are leading another workshop together, this one in Wyoming June 10-13, 2010. Grand Tetons and Yellowstone in the springtime… oh my!
We’ll shoot at all the iconic spots around Jackson Hole, including the Snake River Overlook made famous by Ansel Adams, plus some very out of the way, special places known only to a few. Bret and I have photographed around Jackson Hole on many occasions and can guide you to the best locations.
And you’ll learn all the best workflows for processing your photos in Adobe Lightroom and Photoshop!
Thursday June 10 – our group will meet in the early afternoon in Jackson. After a brief introduction we’ll spend the rest of the afternoon shooting around Jackson Hole.
Friday June 11 – after a sunrise shoot at Schwabacher Landing, we’ll have a short break for personal time. Then we’ll spend a few hours working on processing in Lightroom and Photoshop. Following this, we’ll venture out to shoot all afternoon and through sunset.
Saturday June 12 – essentially the same schedule as Friday, at all kinds of different locations…. Oxbow Bend, Antelope Flats, Mormon Row (pictured), etc.
Sunday June 13 – sunrise shoot; workshop concludes.
We’ll have three sunrise shoots, three sunset shoots and plenty of shooting during each day. We will have the chance to revisit some locations more than once.
We will have around 8 hours classroom time. It’s also possible that we’ll have a printer on-site for participants to make prints, though this is still TBD.
Private and group critiques will be done throughout the workshop to help you develop your work significantly over the weekend.
We’ll also make sure to have some occasional free time throughout the workshop, for participants to take a break and do their own thing.
(And yes, during the weekend there will be time to visit Yellowstone.)
Bret is handling registration… his web page for our workshop is HERE
I look forward to seeing you there!
The City of Lone Tree, Colorado is holding its 8th annual photography show and sale. Deadline for entry is coming up fast so get your submsissions in soon! All the details are at the City of Lone Tree web site.
During the past year I’ve undertaken a number of large-scale projects related to my photography and teaching. Much of the work is new to me; I’m on unfamiliar ground a lot of the time and have often struggled with the various processes involved.
As a result, I’ve intermittently been feeling overwhelmed, stressed-out, anxious… whatever label you give it, feeling like this sucks. I sometimes wonder if I’ve bitten off more than I can chew, and begin to doubt my ability to succeed in reaching my goals.
Fortunately, thanks to my very strong support system of friends and family (and some great books), I’ve been able to repeatedly bring myself back down to earth and into a calmer state of mind, which in turn allows me to refocus, get back on track and keep working effectively on my projects.
Sometimes, when I can’t sleep at night, I find my mind running endlessly over my to-do lists – which seem to be ever-growing! When this happens, one of the new habits I’ve developed to counter it is to let my mind work over the following list I created to ease my anxiety. I figure if I’m going to obsess on something, it should be more like zen meditation, and I’ve found this has a very calming effect. In fact, sometimes it’s helped me get a good night’s sleep when nothing else worked! read more…
There is a lot of information floating around about how to be successful [in business] as a photographer. Whether you are just starting photography as a hobby or shooting every day for clients, you need to adopt some basic practices to secure yourself and your work against catastrophe. Here is some info about protecting your most valuable assets:
1. Equipment Insurance
You’ve absolutely gotta have your gear covered. Ask your insurance agent or check out Hill & Usher.
2. File Backups
After every work session, synchronize two or three hard drives so you have mirror copies of all your files. If you don’t use RAID (I don’t), there are software utilities that make this easy; On Mac I use ChronoSync; on Windows I use RoboCopy. read more…
Don’t drop your camera in water. Ever.
As you may know, I recently took a month-long trip to New Zealand, specifically to photograph all over both islands. As some of you also know, on just the fifth day I had a horrendous accident while shooting Matai Falls.
I’m OK, my camera is not. Let me give a little background… read more…
OK, so maybe it’s a bit trite at this point. But I’m watching Jerry MacGuire and I think there are still some good bits of wisdom there.
In a phone conversation with my buddy Monte Trumbull , we were talking about how to reveal one’s own "voice" in a photograph. How to make a personal statement; how to produce photographs that speak for you.
I believe that making truly expressive photographs requires conscious thought combined with a personal, innate reaction to the subject. In other words, finding a way to respond to what’s happening, and distill the essence of that reaction within a rectangle. This is not easy but is essential to produce an expressive photograph – no matter what the subject.
Try this: when looking through the viewfinder, identify your instinctual, emotional connection with the subject. Be clear about what you like and what you don’t like, and be clear about why. The more you can identify with your photographs, the better they will become.
From Jerry MacGuire: "If this [points to heart] is empty, this [points to head] doesn’t matter".
Respond to your subject with your heart and let the rest flow.