These days I’m doing a lot of “giclee” reproductions of original fine art in a variety of media including pastels, watercolor and oils.

I’ve found that Lightroom is an ideal environment in which to work up my master images. In particular, the HSL panel is an extremely useful tool when it comes to matching colors in the original paintings.

I begin with a digital capture, either a raw image from a Canon 1Ds Mark III or a scan of a transparency (from  my Epson 750M Pro). Whether working with a raw capture or a TIF scan, I’ve found that I can match colors much more easily in Lightroom than in Photoshop.

For color management on my Mac, I use a LaCie 319 display, X-Rite EyeOne and Pulse. I’ve found that I really can trust what I see in Lightroom to match the print (of course, this also involves soft-proofing for the chosen media in Photoshop prior to printing.)

If you do fine art reproductions, consider integrating Lightroom into your workflow. It’s made a world of difference in mine.

*I will be publishing a white paper on Fine Art Reproduction with Lightroom this summer… stay tuned!

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